• Year of Manufacture: Based on serial number 661310, this horn was produced in the Elkhart, Indiana factory around 2008.
• Bell (239): This is considered the standard orchestral bell for C trumpets. It provides a big, rich, and dark sound with a conical taper that offers warmth and ample resonance.
• Leadpipe (25A): Unlike the standard 25C, the 25A leadpipe is physically longer and often paired with a shorter tuning slide. Players typically choose it for its reduced resistance (freer blowing),
• improved high-register intonation, and crisper articulation.
• Bore Size: Most Bach Stradivarius C trumpets with this configuration feature a .462″ Large Bore, which aids in producing a massive sound suitable for major symphony orchestras. 

• Era: Late Corporation Era (Early Elkhart).
  • This is a desirable period after Bach moved production from Mt. Vernon to Elkhart, Indiana, in 1965.
• Bore Size (MLC):
  • ML: Stands for Medium-Large bore (0.459inches), the most versatile and popular Bach bore size.
  • C: Indicates the key of C.
• Model Line: Part of the professional 180 series lineage. 

• Bore Size: Large (.463″ or 11.75 mm).
• Bell: ML (Medium-Large) #5 yellow brass bell, typically 5 inches (127 mm) in diameter.
• Key Features: It features a reversed leadpipe design which contributes to its open feel and excellent “slotting” (the ease of hitting and staying on a note).
• Application: While well-suited for solo work and church gigs, it is primarily designed for orchestral players who need a powerful but flexible instrument that can blend well with large ensembles. 
• No Case/ Mouthpiece but we have plenty to choose from in our inventory of new and used items.

Callet’s involvement with the business of instruments began with sixteen years in sales (1953–1968) for Elden Benge, followed by eight years of experience with Dominick Calicchio (1968–1975). He absorbed much of his knowledge of trumpet making from these two brilliant men. With this rich background and his talent as an accomplished machinist, Mr. Callet was able to release his first line of trumpet mouthpieces in 1973, and his first trumpet under his own brand name in 1984.^[2][3] In 1973, he also developed a line of mouthpieces to complement his embouchure theories. In the meantime, he taught embouchure technique in Pittsburgh (1960) and New York (from 1972 to April 2019).

The fulfillment of his quest to create the best brass instruments possible culminated with his “New York Soloist” B♭ trumpet, released in 2013 (built by Kanstul), and his 1ss, 1sc, and 1sb trumpet mouthpieces, released in 2017 (built by Jim New). Callet’s historical legacy of trumpet manufacturing is represented by his “Sima Bb”, “Sima C”, “Sima D/Eb”, “Jazz Bb”, “Superchops Bb”, “Symphonique Bb”, “Symphonique C”, “Stratosphere Bb”, and previous “Soloist Bb” trumpets, as well as his “Grand Prix” flugelhorn, his earlier “Jazz” and “NY” flugelhorns, and his “Jazz” trombone. More than 6,000 Callet trumpets and 15,000 Callet mouthpieces were manufactured overall.

 is a professional-grade orchestral trumpet. It was designed for versatility, often featuring interchangeable slides to play in both C and B♭keys.  There are no Bb slides for this horn.

• Design: It features a direct piston circuit for precise emission and sound purity.
• Specifications: Typical models have a medium bore (11.75 mm) and a 125 mm bell.
• Finish: Commonly available in gold lacquer or silver-plated finishes.
• Production: Selmer ceased brass instrument construction around 2010, making well-maintained Era II trumpets rare today. 

The horn will cost$4500 Plus $175 Sh&I  for a total of $4675

Custom Series Trumpets

Lightweight “Step-Bore” designs from Renold O. Schilke

The Schilke Custom Series C Trumpets (also known as the C Series) were designed by Renold O. Schilke and date back to his founding of our company. These models feature a lightweight design with minimal bracing, round main tuning slide and reverse leadpipe. Unique to the C (and B Series Bb) the Custom Series C Trumpets are designed with a multi-bore concept to create a balanced feel with each model. They are known for a natural brilliance, or “shimmer,” to the sound, an ease of playing, consistent “feel” from top to bottom and superior intonation.

Bore Size: .460″ ML
Tuning Slide Bore: .468”
Bell Taper: #1
Bell Material: Tunable Yellow Brass

Bell Material

All Custom Series C Trumpets come standard with a yellow brass bell. Yellow brass bells are more consistent in tonal color regardless of dynamics.

Tuning Bells

Detachable tuning bells are available by special order on any Custom Series C Trumpet. The advantage of the tuning bell feature is that the tuning slide can be left all the way in or moved only a little, thereby keeping the bore relatively free of gaps that may cause a disturbance in the nodal pattern of the sound wave. Another advantage is that different bells of varying tapers, materials and finishes may be used to change characteristics of the instrument.

I believe the H.G. Stands for Heavy Gold Brass Bell and L is .462 bore

This model is the descendant of the Masterpiece prototype. Its modern styling, with the characteristic Fides design and ergonomic construction, made for a truly individual series with great depth of character.

Their  intention was to create an instrument with excellent sonority and for all the registers to be easily attainable.

The construction of the instrument with a more dense material provides us with a more compact sound.

The design of the receiver and the ferrule is elegant and aesthetically pleasing.

C-Symphony Classic Series: Professional Model 8010

• Bore: ML 11,68 mm (0,459“) or
• L 11,76 mm (0,462“)
• Valves: Stainless Steel
• Leadpipe: Standard heavy
• Design Mouthpiece Receiver
• Bells: Standard Ø 124 mm (4-7⁄8“)
• or BBG Ø 127 mm (5“)
• Weight: ca 1100 g (38,80 oz)
• Leadpipe, Main Slide Bow
• and Bell: Gold Brass
• Outside Slides: Nickel Silver
• 2 Water Valves
• Finish: Silver Plated
• Hard case / No Mouthpiece

LOOKING FORWARD TO THE FUTURE TOGETHER

In the Autumn of 2004, Francisco Montesinos Fides and Matthias Beck founded the Spanish company, MUSIC DEVELOPMENT S.L. The idea was to develop a new product line featuring a range of their own instruments. The foundation and philosophy was to offer our products to a wider international market and to create a new brand that reflects the warmth of their aesthetic values.

BIRTHPLACE SCHWÄBISCHE ALB

This new venture was founded in the Schwäbische Alb (the Swabian Alps, a low mountain range in southwest Germany).

The instruments Fides and Beck are developed by technicians and craftsmen in the workshop of Matthias Beck in Dettingen at the foot of Schwäbische Alb.

Francisco Montesinos Fides, born in Valencia, is responsible for international marketing.

Matthias Beck, Professional Trumpeter, Instrument Maker and Designer

THEIR ACHIEVEMENTS

Ever since their inception, they have continued to gain international recognition from musicians and the music industry. Their models range from high quality instruments for beginners to those at the height of their profession either as soloists or members of an orchestra.

Fides is a Latin word meaning Faith, Trust and Loyalty, and with that base they orient their work to look at the future.

W/ copper bell  & Bob Reeves alignment 

The Model 1510 is a C trumpet for all occasions. The no. 7 copper bell, along with the popular 25-O reverse mouthpipe allows the player to color the sound, from the brilliant room-filling sound for the orchestral player, to a lighter, more elegant timbre for church or quintet. The horn blends easily not only with other C trumpets but also with B flat trumpets when necessary.

New these cost $4,300 in silverplate (MSRP)

Note: mouthpiece and case are additional.

Second owner purchased the horn in 1996.  Horn was near mint in Lacquer when purchased.

The 2nd owner had the Horn has been Blueprinted by Charlie Melk in 2010 and Had Bell Bow rounding done by Jim Becker at Osmun in 2012. After many years he decided it was time to completely restore it.

Charlie Melk did a valve job and re-plated in Double Silver at Andersons. He also did his normal PVA. Horn is immaculate. As new from the Bach Factory in the 70’s. 229L Large Bore C’ s of this vintage are impossible to find in this condition.

No Mpc/ No Case